Sisir Roy (Soumitra Chatterjee) is a 72-year-old man, long retired from a government office as Upper Division Clerk. His family consists of his son Prasanta (Bhaskar Banerjee) and daughter-in-law Mandira(Soma Chakrabarty). Sisir’s wife died many years ago. Everyday. Sisir goes to the park and interacts with different people. Over a period of time, five young people get acquainted with him – Ahana (Sohini Sarkar), a newly married girl, restless and immature, who repeatedly flees from her in-law’s place, much to the anxiety of people close to her. Her newly married husband Prasit (Gourab Chakrabarty) is quite baffled about her behaviour and is desperately on the lookout for a solution. Saswata (Koushik Sen) is a 35-year-old man who teaches Mathematics in a boy’s school. For the last nine years, he has been entrusted to teach Calculus. Saswata has no thrill in life and is desperately in search of that. Sananda (Radhika Apte), a 30 year-old IT engineer, is a single mother of a 3-year old child. Sananda has a dreadful past, which keeps haunting her. Biswanath (Rahul) is a typist who sits on one side of the park, quite aware of that the number of customers is rapidly dwindling, as more and more people prefer electronic type using computers, but he does not have the means to buy a computer. Reena (Nina Chakrabarty) is a young girl, working at a petrol pump,who is struggling against an uncertain future and insecurity. All these five people are either going through or on the verge of a crisis in their lives. In midst of such a situation, Sisir’s son and daughter-in-law leave for Meerut. And now Sisir is left completely alone. Detached from his own kin, Sisir now reaches out to his extended family by involving himself more intimately with the four new people in his life. He touches upon their minds trying to change their thoughts, and in turn, their lives. But in the process, he puts his own life into a vortex of complexities.
Ein Neubaugerippe in der Schlammwüste einer deutschen Vorstadt. Hagen Trinker, gespielt von Jürgen Vogel (Das Leben ist eine Baustelle, Die Apothekerin), gehört zu den Jüngeren der Obdachlosen, die hier gegen Regen und Kälte Schutz suchen. Gemeinsames Leid wird zum geteilten Leid. Im Stamm der Nomaden achtet jeder auf jeden, ohne den Angehörigen soziale Verhaltensmuster aufzudrängen.
大龄(líng )女青年倒追小帅(shuài )哥,两人经(jīng )过一系列令人啼笑皆非的误会后有情(💹)人终成眷属。
影片讲述来(🆗)自韩国、日本、中国的3名年轻女子沦为日本军队慰安(🌯)妇后备受蹂躏的(⛱)不幸(xìng )遭遇。据制片(💂)人张宝荣介(jiè )绍,导演林睿一次在中国吉林拍片时,偶遇一位当年做过(guò )日军慰安(ān )妇的中国老(lǎo )婆婆,本片(💀)剧本即是在老婆婆口(📂)述回忆的基础上改编并加以艺(🚦)术(🏪)创作而成。老(🐔)婆婆现已去世(shì )。
他半(bàn )天不说话,顾潇潇以为他真的生气了,着急的解释:老大,你听我说(shuō ),我不是意气用事,阿战他真的不会出卖我,他真的值得我相信。
在这大雪纷飞的世界,大部分生(💭)物都已经陷入了冬眠,以(yǐ )减少能量流逝。
改编自依达原著(zhe )《七颗(😏)寒(hán )星》,讲述青年作家与歌女的一(🛂)段恋情(🙏)。
我饿了。其他三只不会,韩雪(🧞)可没有那个能耐。
艋舺偷天(tiān )换(🦊)日作为艋舺网络电影改编系列第三部影片延续了经典电影IP风格融合了热(🐼)血动作等元素(sù )以独特的街头(🕸)文(wé(🏐)n )化为背景讲述了一位来台旅游的(de )主人公(gōng )卷入一场集团走私案件的冒(🍌)险故事一段关于亲情背叛情理纠葛的故(🚂)事就此揭开
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